Archive of 10,000 Concert Audio Recordings

Fishmanic

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This is a very interesting story of a music aficionado who made audio recording of thousands of concerts he attended in over 3 decades. . You can listen to these many awesome concerts for free in the digital archives linked in the article. @TwoTankAmin will appreciate this amazing music fan and his massive collection of concert recordings from as far back as 1984. He also has a humungus collection of vintage vinyl albums.
 
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I checked a few out. Definitely, a lot of bands never heard of again, but quite a few 'bootlegs' of known alternative type bands of the early nineties. The sound isn't always great.

It's going to be fun to dig through - there are a lot of old bands in there I listened to at the time. I may well be listening to them again now.
 
Two things:
1. As far back as 1984? A not so subtle way of saying, I'm old.
2. I don't know how this dude isn't getting sued by every artist still alive.
 
Two things:
1. As far back as 1984? A not so subtle way of saying, I'm old.
2. I don't know how this dude isn't getting sued by every artist still alive.
The legality is a question. He must have been an old fashioned bootleg record guy, and there were quite a few sneaking around underground and undercutting artists. Not many of those bands are still happening though. I looked at the current archives to the 90s. Quite a few may not have been signed.

1984 is a long time ago, though my brain insists it was very recent. I know better. I'm going to go dancing with a crypt keeper now.
 
The legality is a question. He must have been an old fashioned bootleg record guy, and there were quite a few sneaking around underground and undercutting artists. Not many of those bands are still happening though. I looked at the current archives to the 90s. Quite a few may not have been signed.

1984 is a long time ago, though my brain insists it was very recent. I know better. I'm going to go dancing with a crypt keeper now.
Some bands are ok with their bootlegs being out there, the Dead even encouraged it. But as I recall every ticket I ever bought said "No recoding devices allowed" right on the front of the ticket.

I thought the same thing Gary. 1984? It wasnthat long ago, I was there, I remember '84. In '84 I remember seeing the Neville Brothers opening for Huey Lewis and the News. The Neville's were amazing.
 
Two things:
1. As far back as 1984? A not so subtle way of saying, I'm old.
2. I don't know how this dude isn't getting sued by every artist still alive.
“ As for copyright concerns, he’s happy to remove recordings if requested, but added that only one or two musicians so far have asked that their material be taken down.”
And he doesn’t profit from sharing his recordings.
 
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Now, when everyone can record with their phones, such concerns become irrelevant. It used to be such a thing.

1984 - there was a really good local band scene in Montreal back then, and I saw a lot of shows from excellent bands that never got recorded. I probably saw some well known bands that year - I went to a lot of shows and a lot of post punk bands were still on the wander then. I couldn't name them - years merge. I think I saw The Clash that year - that was a big one.
 
I've taken a minute to scroll through the list. A lot of memories flooding back as I've been to most of the clubs where these concerts were recorded.
There are some gems if you hunt for them. Live Camper Van Beethoven, The Cure, REM, Afghan Whigs, Dinosaur Jr., Kristy MacColl. Fugazi.
 
Just for curiosity I went on YouTube and searched for Nirvana 1989 and found a video of a session just a week after the recording on that archive audio site. Pretty cool.
(caution for language)
 
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A friend of mine worked in a club where Nirvana played on their first tour. He and Cobain ended up handing out free tickets on the street, and still only 18 people went in for the show.

He said they were pretty generic at that point.
 
I started looking at the band names. 150 in 2004, 16 in 1984 and 26 in 85. I recognized one name out of 192 shows. R.E.M. who formed in 1980 and I was not a fan and could not name any of their songs, but at least I recognized their name. Most of who I listen to are bands which formed prior to 1980 and most before 1972.

I know the two bands Fishmanic mentioned and have seen the Kinks live on the Pier in NYC. It really is a pier on the Hudson River side. I think it was in the 80s or 90s/ It as a long time ago.

It has been somewhere between 5 and 10 years since I did a concert. I think it was String Cheese incident at the Capital Theater in Port Chester, NY. The bass player likes to be very load. My brother and I found it so loud we left our seats and spent the rest of the show in the bar. They have speakers which play the concert in the bar, but not as loud. The bass was so loud it actually hurt, The bar was pretty packed so I assume we were not the only ones who did this.

I have listened to String Cheese shows on YouTube and enjoyed the. But the bass is not as dangerous to ones health since one can control the volume.
 
Research shows most people lock into an era, usually music they heard from their teens to early twenties. After that, they seek sounds like the ones from their times. We like music that sounds like music we already like.

For some reason, I don't really like a lot of the music that was big in my teens (early to mid seventies). I find "classic rock" to be a bland era. My lock in happened in the later seventies and eighties. I listen to a lot of current artists, but I still like my guitars and punky energy. I was fortunate to have been exposed to a lot of reggae, dub, African, swing and hot jazz, blues, European classical (the baroque!) and funk early enough that I really like it. I got to listen to more than the rock, folk and pop I was "supposed to". My grandfather loved 1940s country, and for some reason, I don't like much country after about 1970 but love his favourites... My brain is trained.

A lot of other music that I know to be well played (on paper) like @TwoTankAmin 's beloved Little Feat, or most southern rock just doesn't hit a chord, so to speak. It's well played, but it doesn't become memorable. It wasn't a sound I liked at the formative time. I have a friend who is horrified that I don't like Eminem's work, but I guess it's the same thing. I think it's awful he loathes Fontaines DC, Yard Act and the Dropkick Murphys. Other friends are metalheads with an entire different focus than me. They can argue the technical brilliance of the players, and it leaves me bored. I have friends who love later classical music, but emotionally, it does nothing for me. We're products of our times and experiences.

My blind spot is the nineties. My kids were little, we were broke, and I had three jobs. I fell out of the new music scene until the early 2000s. A fish friend younger than me got me catching up, but what did I like from his music? Nineties punk bands with guitars, ska bands, singer songwriters, all outgrowths of the stuff I liked in my "imprinting" phase. I'll sample a lot of the "who was that" bands on that site. If I don't like 'em, that's easily solved. I'll just sample another. Maybe I'll find someone who fits in the box that's my tastes but that I never got to hear.

I don't think any era had or has better music than any other era. There's as much good music being made now as in 1958, 68, 78, 08, 18... onwards we go. The degrees of corporate control and the number of gatekeepers change. Great bands have been less likely to be widely heard in some eras compared to others, as each generation tries to throttle the generation that follow's music.

There's that view that with the internet, all music is new. I know teenagers locked into all kinds of music now, and I hope that as they imprint, things will get more eclectic. When Bad Bunny begins to mix with Kneecap and K Pop, maybe I'll be in wild singalongs at the old folk's home.

In the meantime, what's with these newer aquarists and these loaches and gobies? Why, back in my day we had killies and dwarf Cichlids, and were glad of it. We walked 40 miles to the local fish store, uphill both ways in the driving sleet hurricanes, and we got better fish for it!

Some things are similar...
 
This is flat-out illegal despite the tacit approval of some artists. And it's not only artists whose rights are being exploited, there are composers and lyricists whose copyrights are being violated as well.
 
I disagree with GaryE on music. I am a fan of big band music from before I was born. I also like ragtime so let's talk the 1890s-1910 era.

"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.It was sold first as sheet music by John Stark & Son of Saint Louis, Missouri, and in the 1910s as piano rolls that would play on player pianos.



In the years from late 1966 to 70 I lived in the Washington DC area and used to come up to NYC to visit friends. They turned me onto two things. The first was Hagen Daz ice cream which was new back then. It was available in a specialty Deli 2 blocks away. The other was old blues that was also from before I was born. Columbia University radio had a regular blues program.

"Statesboro Blues" was written and first recorded by blues musician Blind Willie McTell in October 1928. While McTell wrote the original Piedmont blues classic, the song was famously covered and popularized by The Allman Brothers Band on their At Fillmore East album, as well as by Taj Mahal." (We did show with Taj, another nix I did. It was just him and a bass player)



In my sound company days in the 1970s we were fortunate to do two different shows with Muddy waters. I did the mix for them both.
McKinley Morganfield (April 4, 1913 – April 30, 1983), better known as Muddy Waters

I am not all that big on Blue Grass or Country but am a big fan of Doc Watson.

I do not consider Rap to be music. It is rhythmic talking.
 

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